Dangerous History: Walker Downey
June 1, 2020: My interview with Walker Downey proved too substantive to limit to just one episode of . You can listen to part 1 here. Walker examines the intersection of “experimental music” and “sound art,” a transdisciplinary, technological practice that evolved over the decades between WWII and Vietnam. Together we discuss works that fall between the purview of art history and musicology, with a focus on the subversive nature of noise as a category of experience. The institutions and figures around which these compositions or performances accreted are considered alongside the determinative nature of media itself (magnetic tape, for example) in an attempt to determine their relative significance. A project about radio-as-art, on the radio, in two parts.